Showing posts with label FWSO. Show all posts
Showing posts with label FWSO. Show all posts

Thursday, January 28, 2016

Management backs down (for now anyway) in FW



The latest reports from Fort Worth indicate that management will not be implementing its "concessionary" contract, a move originally intended to take place on Monday the 25th. This has been gleaned from yesterday's Star-Telegram, which is now mysteriously nearly hidden behind a paywall. The news has not been confirmed by any other sources.

Neither side has offered any definitive comment on the issue. It seems more than a bit strange that CEO Amy Adkins has remained mum.

I suppose that odder things have happened.

Jaap van Zweden
He must use Gergiev's razor...

In other Texas news, Dallas Symphony Conductor Jaap van Zweden has been appointed the next Music Director of the New York Philharmonic. He is best known (or loathed) for his meticulous and demanding rehearsal style. While this seems an "out of left field" choice, may van Zweden is just what the NYPO needs.

Tuesday, January 26, 2016

If you can't "do....." A (partial) tale of the mess in FW

Seriously, how did the Fort Worth Symphony get to this point? Players are up in arms about another pay cut. Management is insistent that it needs to happen in order to keep the organization solvent (no talk of a lock out, but the player's union has authorized a strike--if it comes to that.)

Detroit in 2010, could be anywhere today...
2010 wasn't really a great year for symphony orchestras in the U.S. The Cleveland Orchestra stuck early that year when negotiations broke down. In the fall, the Detroit Symphony was just starting what would become a near-crippling walk out. And the autumn began in silence as the musicians of the Fort Worth Symphony imposed, according to Front Row D magazinea warning to orchestra management that the musicians were united in their opposition to cuts proposed during their contract renewal talks.

In November, musicians gave in to a very large pay cut of nearly 14%. At that time, FWSOA President Ann Koonsman (who would serve less than one year more) said, With this new agreement, the musicians are accepting a decrease in pay. None of us are pleased about that, and I ask the community to step forward and to increase their support of the Orchestra. The players were led to believe that management would step up its development efforts in order to restore what they had given away. Unfortunately....

Ann Koonsman, gotta love the pose....
In 2010, the head of development (that's the person directly in charge of raising donor dollars) was Amy Adkins. She was rewarded for her bang up job with a promotion--to the President's position! Yes, you read that correctly: the person who didn't raise enough money to balance the budget would become the head of the whole organization. In fact, she was the only person considered for the job, having been basically crowned by the outgoing CEO, Ms. Koonsman. Let's not even get into someone hiring their replacement...

One has to wonder a bit about Ms. Adkins, of whom it was said (again in Front Row, January 28, 2011), The Board of Directors is thrilled to announce Amy’s appointment as president and CEO. Her longtime dedication to the Orchestra, her love of music, and her ability to form relationships with key supporters makes her the perfect fit. Amy’s knowledge of orchestral management combined with her superb fundraising talents will ensure that the Orchestra has a bright future.


Knowledge of orchestral management? Where did that come from? Here's the backstory, as chronicled by Ms. Adkins herself (in a Front Row story from August):

She started college as a piano performance major at Texas Tech University, where she met her future husband, Alton Adkins. But while on a trip to visit a friend in New York City when she was 20 years old, Adkins took a little personal tour of the famed Juilliard School of Music that changed the course of her career.

"I remember hearing the level of playing coming out of those Juilliard rooms," she recalls. "I realized that I just wasn't at that level and that a performance career was not going to be for me."
 So let's get this right: is this an example of "if you can't do..."

And just like that, Adkins shifted her major from performance to music education. With her freshly minted education and music certification degree in hand, she began to teach music and choir in the Duncanville school district. After two years of teaching, Adkins was emotionally and physically spent. But she couldn't handle teaching after two whole years? (Sorry, I've been in the profession for 30. Every day is a joy.)

Enter Fort Worth and the Fort Worth Symphony Orchestra, which, in the summer of 1993, engaged Adkins' husband as a French horn player. Alton Adkins has been with the orchestra ever since.


By 1995, Adkins had joined the orchestra as its education coordinator. Eventually, Adkins would take on the more influential position of development director, where she thrived. Thrived so well that the players took a huge pay cut right before she assumed control.

DFW International, one of the world's busiest
Granted, in 2010 the nation was coming out of the worst economic crisis since the Great Depression.  That said, the orchestra had a successful endowment campaign completed in 2008. Then there's Rick Perry's "Texas Miracle." Godsend or not, Texas was not hit as hard by the recession as the rest of the country. The price of a barrel of crude reached its lowest point in 2009, when it was $53.48. A year later, that same price had risen to over $71. The entire state was in a growth pattern which has yet to abate.

Since 2000, Fort Worth has been the fastest growing city in the U.S. The nation's 16th largest city, it is part of the number one tourist destination in Texas. Some 6.5 million people annually visit the Dallas-Fort Worth area. WalletHub has called it the number 1 city for finding a job. Visit the FW Chamber of Commerce website; Fort Worth, by all measures, is a happening place....

Fort Worth skyline: not just a cow town anymore...
By all measures except what it pays its orchestra. It's obvious that the blame must rest with management. They were given a huge concession in 2010. Five years later (this mess has been going on since last summer) management has demanded (there has never been any "asking") for more.

The buck stops at the top.

Friday, January 22, 2016

Meanwhile in Fort Worth

I've had to step back from chronicling the situation in Hartford. It's been exhausting. That doesn't mean that I am finished banging the drum for the HSO. One has to only hope that the powers-that-be come to their senses and realize that the "alliance" between the HSO and BPAC benefits only the latter. More will be seen about the true picture when the 2014 990s are released.

The Fort Worth Symphony Orchestra, founded in 1912, has a long and distinguished history. Disbanded in 1917 due to the First World War, it was reconstituted in 1925 and only four years later, Lela Rogers (Ginger's mom!) became Executive Director. The orchestra has played at Carnegie Hall (as both the Fort Worth Chamber Orchestra and in 2008 as the FWSO), toured China, Mexico, and Spain. Ann Koonsman served 31 years as Executive Director starting in 1980. It was in the change of leadership that the house began to crumble.


The FWSO, "with their assured, rich-hued and impassioned account
of Tchaikovsky’s Fifth Symphony."
NY Times, January 2008

A few weeks ago, I wrote of the problems within the organization. As a reminder, the players agreed to a 13.5% pay cut to help pull the orchestra out from the nation's recession. The next time contractual negotiations began--the contract expired in July--management comes forward with an "offer" of an 8.7% cut, eliminating a 3.5% give-back in 2012 and then some.

The orchestra is allegedly running deficits between $200 and $400K. The major sticking point for me is that the former development officer who should have been beating the bushes raising funds to get the orchestra out of the red three years ago (Amy Adkins is her name) was promoted to the Executive Director's position in 2011.

Amy Adkins
I'm trying to figure out the pose...
DFW.com wrote of Adkins' ascendence to the head job in an August 2011 article, Amy Adkins takes fearlessness to new heights as leader of the FWSO. In it, Adkins put a bright face on an orchestra that had just gone through a bitter negotiation process, "I know this is a big job, and I would be lying to say I'm not just a bit intimidated, but I also hasten to say I'm not a fearful kind of person," says Adkins, whose orchestra résumé includes time as its education coordinator and, most recently, development director. "Honestly, becoming president was not something I first aspired to, but I just adore this organization and I feel so passionately about the people that work for it that I have become compelled to do this. It's become my calling."

"Clearly, establishing financial stability will be our No. 1 short-term goal," Adkins says. "We've got to increase our earned income by selling more tickets." Um, time and time again, it's been proven that there is little income potential from ticket revenues.

Adkins, who is also mom to sons Jacob, 14, and Benjamin, 10, says she feels like she is in fighting trim to take on the gargantuan role of orchestra president, thanks to a relatively recent obsessive pursuit of exercise.

"I've become a bit of a nut about it," she admits.

Her regimen involves going to the Larry North gym four times a week, often working with a personal trainer. And what's on the iPod of the president of the Fort Worth Symphony Orchestra? Sting, Coldplay, U2, Black Eyed Peas, Adele and an Irish band called the Script.

Of her exercise regimen, she says, "Cardio is never my favorite, but I've been introduced to kickboxing, and that's quite an experience. I never really thought of exercise as being so empowering, but it does give me so much more energy."

That energy -- and sense of empowerment -- may serve Adkins well as she navigates the job.
 Obviously it hasn't helped very much as the orchestra (despite a $28 million increase in its endowment at the end of Koonsman's tenure) may be going from bad to worse. But look on the bright side. The current concessions are only half what management took away in 2010!
But I digress--a lot.

Bill Clay, Principal Bass
Only a week ago KERA News reportedFive years ago, Fort Worth Symphony players agreed to slash their salaries in tough financial times. Now, with new contract talks, they want those cuts restored. Bill Clay is the principal bass player with the Fort Worth Symphony and speaks for the players. “Our proposal has come down by over $1.25 million and management on the other hand hasn’t moved from their financial proposal since October,” Clay says. Two days ago, that same station offered this: The Fort Worth Symphony says it has issued its final offer and musicians will vote on it this week, but it’s not clear if they’ll accept it.

So it's yet another example of management taking the hard line and expecting the players (um...they're the ones making the music and racking up glorious reviews) to acquiesce. Just like the lockouts in Atlanta and Minnesota. Oh wait, neither of those turned out the way management intended. Chief executives were fired and the community won. But, but, but....it worked in Hartford after all!


The musicians of the FWSO are taking the issue into their own hands. The Fort Worth Star-Telegram noted that Fort Worth Symphony Orchestra musicians voted on Tuesday to authorize a strike after the symphony’s management said it planned to implement a “concessionary contract” this month. “The musicians of the Fort Worth Symphony met [Tuesday] afternoon for a strike authorization vote, and the vote was passed virtually unanimously,” said Scott Jessup, spokesman for the musicians union.
The vote does not call a strike but authorizes the union’s negotiating committee to do so.



FWSO pickets outside Bass Hall
This was brought about by the symphony's decision to implement a new contract on Monday with financial concessions including an 8.4 percent cut in total wages. “The difference with this latest offer is that the Symphony has stated that they will not bargain with us anymore by calling this their ‘last, best, and final,’ offer,” the union said in a statement. “Management says they will implement this offer on January 25, forcing us to work under the conditions they impose.”

Management has shot back with an immediate response, again blaming the economy. Adkins maintains that the symphony has comprehensive fundraising plans that are ongoing and targeted. And just because the city’s economy is growing, she said, that doesn’t necessarily mean more symphony supporters. Really? “We often had to beg and plead for money at the end of every year to balance the budget, and many of those year-end ‘angels’ are either gone or not able to do what they once did,” Adkins said.

American Federation of Musicians Local 72-147 Secretary-Treasurer Stewart Williams argues that symphony management does not have a sustainable financial plan and that cuts should not be necessary when the economy in Fort Worth is doing well. “The cuts didn’t fix the problem five years ago, and they’re not going to fix it now."  Management should have put a plan into place five years ago to stabilize its operations, he said.

And Music Director Miguel Harth-Bedoya? As usual, mum's the word...

Read more here: http://www.star-telegram.com/entertainment/arts-culture/article55995395.html#storylink=cpy

Read more here: http://www.star-telegram.com/entertainment/arts-culture/article55995395.html#storylink=cpy

Read more here: http://www.star-telegram.com/entertainment/arts-culture/article55995395.html#storylink=cpy

Read more here: http://www.star-telegram.com/entertainment/arts-culture/article55995395.html#storylink=cpy

Only a couple of things can occur once one side or the other decides that it's no longer willing to sit at the table, and they don't amount to moving forward. Either management imposes a lockout (and again I have to note how well that hasn't worked) or, in fewer cases, the players strike. Such actions have threatened organizations such as the Chicago Symphony (very briefly) and the venerable Metropolitan Opera. In the latter, matters did get precariously close to the breaking point but federal mediation and the efforts of Peter Gelb (I can't believe I'm praising the guy) saved the day.

While the music hasn't died in the FWSO, it is only a matter of time. Again, there are no winners, only losers: the musicians and the community. Then there is any community pride and goodwill that might have been engendered since 1912.

It's the "vision thing" or, in this case, the lack of it.




Read more here: http://www.star-telegram.com/entertainment/arts-culture/article55570095.html#storylink=cpy



Read more here: http://www.star-telegram.com/entertainment/arts-culture/article55570095.html#storylink=cpy