Showing posts with label Opus Cafe. Show all posts
Showing posts with label Opus Cafe. Show all posts

Wednesday, July 26, 2017

Huey 5: Orchestra Iowa

ORCHESTRA IOWA: "Outstanding" (they'd better be!)
Office: 119 Third Avenue SE, Cedar Rapids, IA 52401
http://www.artsiowa.com/orchestra/
Performance Sites: Paramount Theater (Cedar Rapids), Coralville Center for the Arts, Brucemore Mansion Lawn (Cedar Rapids), West High School (Iowa City), Independence (IA) High School, Voxman Concert Hall (University of Iowa), Opus Concert Cafe (Cedar Rapids), Old Capitol Senate Chamber (Iowa City).
Conductor: Timothy Hankewich (11 seasons)

Concert night at the renovated Paramount Theater.

Old Capitol Building, Iowa City
Since the 500-year flood of Cedar Rapids in 2008, an act of nature that reeked untold damage to that city as well as the arts complex at the University of Iowa. Built within a flood plain near the Iowa River, flooding leashed its wrath on the music facilities and the university's main concert site, Hancher Auditorium. Both were finally replaced eight years after the onslaught. In Cedar Rapids, the beautiful Paramount Theater was filled with water, damaging the auditorium itself, anything stored in the lower level dressing rooms and basically destroying the theater's "Mighty Wurlitzer" organ.

Downtown Cedar Rapids, Summer 2008

The remains of the Mighty Wurlitzer













Finding itself homeless for an extended period of time, the (then) Cedar Rapids Symphony embarked on a nomadic journey. Without a home in Cedar Rapids, the orchestra set out to refine itself and expand its outreach beyond the environs of the Cedar Rapids-Iowa City corridor. The result was a reimagined ensemble: Orchestra Iowa. Personally, I thought the name was presumptuous; this wasn't "my" orchestra; why make the not-so-subtle claim that it was "Iowa's" orchestra. In all honesty, I may be coming around.

The concert programs of Orchestra Iowa are a mixed bag; some follow the "formula," while others deviate significantly. What is of particular interest to me are those that include lesser known works such as:
  • Alberto Ginastera: Variaciones Concertantes (Having written a dissertation on the piece, I'll admit my bias. Still, this piece needs to be played much more.)
  • Jean Sibelius: A symphony? Nope; Swan of Tuonela.
  • William Bolcom: Orphee Serenade
  • And yes, a bit of silliness: Dmitri Shostakovich: Tahiti Trot
A number of "traditional" concertos appear (Shostakovich: Cello Concerto 1, Mozart: Piano Concerto 21, Rachmaninoff: Paganini Rhapsody.) The orchestra is presenting the Brahms Piano Concerto No. 2, but they've brought in Emmanuel Ax as the soloist; this concert is in April and is well worth the trip.

The concert season ends in June with the monumental Third Symphony of Gustav Mahler, a major undertaking for any ensemble. But that's not all, Orchestra Iowa also presents opera (Turandot, with the Cedar Rapids Opera Theater) and ballet (Alice in Wonderland, with the Quad City Ballet.) Orchestra Iowa jumps on the pops bandwagon but offers a live performance--with the film--of the classic Casablanca.

But again, that's not all. There is also a chamber series, presented at the Opus Cafe and other sites. With each program centering around different repertoire and instrumental combinations, these excursions into true "chamber" music promise an authentic experience of this genre.

I probably sound like I'm gushing, and I suppose I am. Orchestra Iowa has become the major player in classical music in this part of the Midwest. While I am a fan of the Chicago Symphony, there are plenty of reasons to skip the drive, the traffic, the hotels, and simply stay close to home.